The Challenge for Week 20 of my 52 Week Landscape Composition Photo Challenge is Horizontal Line. What I realized when I did some research on Horizontal Line in Landscape Photography is that we use horizontal lines in our photography more than we (at least I) realize. There’s most likely at least 1 implied horizontal line in most landscape photographs – the horizon. Other than horizon, there are other examples of horizontal lines – fallen trees, waves, oceans, sleeping people, etc. All these subjects somehow show a sense of stability, rest, and timelessness.
Horizontal lines tend to indicate a sense of homeostasis (lack of change). Horizontal lines can be used when you want to impart a sentiment of timelessness or lack of change to an image. The horizon is stable, dependable and immovable, and for these reasons, horizons become the ultimate example of horizontal line. Horizontal lines are also relaxing and quiet.
When I thought about horizontal lines, I knew I’ll head to the beach and use the horizon as the horizontal line as well as use waves as horizontal lines. When the opportunity to go to Capitola Wharf presented itself, I knew I had the chance to use the Wharf as another horizontal line.
So, after taking several shots from different locations using Wharf in the Foreground, I decided to move to a location where I put the Wharf horizontally across the frame. I see multiple horizontal lines in play in this photo – waves in the foreground, wharf, horizon, and the mountains in the background. I thought this would make a good example of Horizontal Line for this week’s challenge.
Location: Garrapata State Park, California
EXIF: Canon EOS 7D | Canon EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/22 | 4s | ISO 100
We made a trip out to Garrapata State Park to see (and shoot) the Calla Lilies. There were lilies in the Valley but not as much as I hoped. Based on what others told me as well as some of the photos I saw online, I thought the entire valley would be covered with lilies. I am not sure if we went late in the season, or if this year there weren’t as many lilies, or if it was a combination of both. In any case, I tried different spots and came up with a decent shot. More about that shot and experience in my other post titled ‘Sunset Lilies’.
After shooting the lilies, I decided to head to the beach for the Sunset. My buddy decided to stick around in the Calla Lily Valley go get some starburst of the setting Sun with the lilies in the background. I thought about staying with him but decided to go to the beach to see try some Long Exposure shots.
The waves were really rough. No place seemed to be safe unless you were well behind these stacks. The rock on the left seemed to be safe as the waves weren’t hitting it as hard and often as the rocks on the right. I actually stood on top of the rock on the left with my tripod to get some shots. I was firing away shots and saw waves closing in. Before I knew it, the waves crashed on the rock and somehow went above my head without a drop of water touching me. It was awesome. Sowmya was taking video and had stooped seconds before this happened. I should have realized how lucky I was to not get my camera wet and not go on top of the rock again. Well, I went on top of the rock again. Guess what happened this time? The waves hit me and Sowmya captured that on video as well.
Anyways coming back to this shot. I got down from the rock when I got the idea to put the Setting Sun between the rocks. Waves were hitting me again and again. I was drenched will my hips.I tried several shots to get it right. Looking at the LCD, I knew there were a couple of decent shots. The Sunburst was not at all easy to get. I had to work hard in post processing to enhance what I got.
The goal for Week 10 of the 52 Week Landscape Composition Photo Challenge is Movement. Photography, is a all about capturing a moment, which essentially means you are stopping motion and freezing the frame. Even though we freeze the frame with our photos, we have multiple options when doing this. We can freeze a fast moving race car with a 1/1000 of a second or higher. Alternatively, we can keep our shutter open long (or even ultra-long) to let in more light; say to capture the night sky.
When talking about movement in Photography, there are multiple ways to do it – fast shutter speed, slow shutter speed, panning, motion blur, lens blur, etc. Shutter Speed is what determines how you capture the movement of your scene.
I love long-exposure shots. Every time I am near a waterbody, I try to show movement by going with long-exposure as I like the smooth water rather than fast shutter speed. Somehow, the though of elongated time makes the scene look ethereal.
For this challenge, I didn’t want to do a long exposure. Definitely, not an ultra-long exposure. I have seen some photos online where the waves are frozen. Not a fast shutter speed nor a very slow shutter speed. Something that just freezes the wave in the air. When I was in Garrapata State Park, I tried to do this. After a few failed attempts, I got a shot where I froze the wave crashing the sea stack. Since I was shooting at f/22, I was able to capture a starburst of the setting Sun as well.
I thought this was a good example of capturing movement.