San Fran Silhouette

Location: Treasure Island, CA
Time: Sunset
EXIF: Canon EOS 7D | Sigma 17-50mm f/2.8 | 20mm | f/16 | 2s | ISO 100

A few of us decided to head to Treasure Island to shoot the SF Skyline. I have never been there before and I was looking forward to the trip. Getting anywhere in the Bay Area during peak hours is a challenge due to traffic congestion. Going to SF or through SF is even more challenging as there’s heavy traffic. It took us a while to get to Treasure Island but we got there well ahead of Sunset.

One of our friends who couldn’t make the trip with us gave us several locations to checkout. The first location was on lot of the hill overlooking the Bay Bridge and SF Skyline. We drove to the location and realized the road leading to the spot was closed. So, we came down to the parking lot where there’s clear view of the Bay Bridge and SF Skyline. We had to wait for about 10-15 minutes for parking but we got lucky. I thought no one would leave right at Sunset but someone actually did.

We decided to basically shoot from the parking lot as the view was spectacular. We decided to go to other locations after we were done getting our shots from the parking lot. Sunset was happening as we pulled into the parking lot so we started shooting right away. I started shooting hand-held but the shutter speed was going down rapidly as light was fading.

I setup my tripod and decided to do a long exposure to smooth the water out. I didn’t go for an ultra long exposure; just enough to smooth the water. There were some clouds but not to cover the entire frame. I initially took shots of the Golden Gate Bridge with the setting Sun but it didn’t work out as well as I hoped. Golden Gate Bridge was too far away.

So, what I decided to do was to just focus on the SF Skyline ignoring both the Golden Gate Bridge as well as the Bay Bridge. I did get some shots with the Bay Bridge and SF Skyline but that comp was a bit challenging as there were lot of distracting elements to the left of the Bay Bridge.

Since Sun was already behind the horizon, SF Skyline was silhouetted, which looked attractive to me. I was hoping to see and include a boat in my frame but nothing sailed by.

We stayed for about an hour (well past blue hour) to get the SF Skyline all lit up. After we were done at the Parking Lot, we tried to head to other locations but all that needed us to walk about 15-20 minutes and the areas was very shady so we skipped. One location was on the other side of the parking lot but we didn’t know 😦

From a processing stand-point, it was pretty straight-forward. Apart from my usual workflow in Lightroom, all I did was dodge & burn (primarily burn) a bit.

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Blazing Glow!

Location: Almaden Lake Park, San Jose
Time: Sunset
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/8 | 1s | ISO 100

Almaden Lake Park is my go-to location for Sunset if there’s no other plan. As a matter of fact, one of the first locations that I went to when I wanted to get serious about Landscape Photography was Almaden Lake Park. Another one of those locations that’s minutes away from home but didn’t even know about.

Even when I used to do a lot of bird photography, Almaden Lake Park never came up in my research. I primarily went to Palo Alto Baylands, Charlston Slough, Lake Elizabeth, among other places. When I went to Almaden Lake Park, there were so many birds – Night Heron, Blue Heron, Great Egret, Snowy Egret, etc. Why I didn’t know about this lake, I’ll never know.

Anyways, this was one of those days where inland areas had decent prediction. My first thought was to head to Santa Teresa Park and hike up the hill to the lone tree I have shot before or find another lone tree. Sowmya didn’t like that idea as there were reports of rattle snake in the park and she didn’t want me to go off-trail. We heard in the news that a guy got bit by rattlesnake at Fremont Peak; luckily, medics came in few minutes and saved his life.

So, Santa Teresa Park was out of question. I went to Hellyer Park a few weeks back and due to the amount of water, I wasn’t able to get a good comp. We decided to go to our ‘go-to’ place, Almaden Lake Park. As I mentioned, it’s a place I’ve been to plenty of times and have shot both Sunrise and Sunset. There’s always something new at Almaden Lake Park. As a matter of fact, that’s how I feel about any location. I don’t understand when some of my non-Photography friends ask me why I go to take photos of Sunrise or Sunset as they say – ‘it’s the same Sunrise’ or ‘haven’t you been there before?’.

To me, Photography gives me the opportunity and pleasure to visit so many places and experience so many things. While I enjoy capturing moments through my viewfinder, I have learned to take some time to enjoy the scene that unfolds in front of me. So, even though I’ve been to Almaden Lake so many times, I will always go whenever I get an opportunity. Even if I don’t take any photos, I’ll happily enjoy the Sunset with Sowmya. We’ve been to the park so many times just to take a walk and enjoy the nature.

When I got to the Lake, I knew the location I wanted to go to and the type of shot I wanted to try. I have seen a lot of driftwood in one location so I wanted to see if I can use that as part of my comp. There lot of bugs everywhere so I was a bit hesitant to go to the lake shore but I decided to go ahead anyway. Sowmya was sitting on one of the park benches and started talking to her mom & sis.

I found the comp (or I should say, I created) that I liked. I sat down on the floor and setup my tripod. I started firing away. I put a ND Filter and tried some Long Exposure shots. In terms of colors, there definitely were colors but I wouldn’t say it was a spectacular burn. It was beautiful, nevertheless.

In terms of processing, I just followed my normal workflow in Lightroom and cleaned up some unwanted items in Photoshop.

Brilliancy of Colors

Location: Pigeon Point Lighthouse, Pescadero
Time: Sunset
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/8 | 1/3s | ISO 100

Another shot from my recent trip to Pigeon Point Lighthouse. After I took several shots from the corner to as much of the burn as possible, I decided to move around to try different compositions.

One of the spots that I stopped was where I could use the picket fence as leading line. I have tried this before but not with too much luck as weather didn’t cooperate. This time around, I knew that the weather cooperated; sky was literally on fire. The question was whether I’d be able to include the colorful sky in my comp. One of the challenges when I go to a location is to find interesting comp. Not a unique comp per se but something interesting that I can try. I am going through a 52-week Photography Composition Challenge and my primary goal is to learn different compositional techniques.

There’s  lot of discussion about how you differentiate your photos from others. Everyone wants to get something new; something unique. I guess the feeling is natural. Everyone wants to be different. No one wants to comp-stomp. As far as I am concerned, I am still at a stage where I am learning Photography and one of the best ways for me to learn is to look at photos from other Photographers and try to emulate it. I don’t mean to say that I’ll copy other’s photos but take inspiration from their work. What I’d like to consider as paying homage. To me, there’s nothing wrong with taking someone else’s comp as there’s only so much you can do in a particular location.

To me, one of the best ways to differentiate your works is through post processing. Think about it. When you visit Yosemite National Park and go to the world famous Tunnel View, especially during Golden Hour, you’ll see anywhere 10 to 100 Photographers. Or, think about the Firefall spectacle. You’ll find hundreds of Photographers in one location. How much variation can you really achieve in your comp? However, how you process your photos can produce a completely different result compared to the Photographer who stood right next to you.

Anyways, getting off the soapbox and on to this photo. The sky was still burning and I went to this spot where I thought I’d use the picket fence as leading line and put the Lighthouse on the third. I was able to include the burning sky in my frame. I bracketed 3 shots so I merged the photos in Lightroom and followed my usual workflow.

Burst of Radiance!

Location: Carrizo Plains National Monument, California
Time: Midday
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/16 | 1/15s | ISO 100

One of those days where Escaype predicted high potential/zero skunk for northern areas with no fog. So, it wasn’t a question of whether I was going out but as usual, the question was where. One of my buddies pinged me and we started the back & forth. We have done this several times before. We keep debating about which location to go until the very last minute. Going forward, we should just pick one and go. It’s not like we only get one shot at this; if not today, we can go another day.

So, the debate was between SF and Pescadero. The last few times we went to both locations when predications were high, we got skunked. After a lot of back & forth, we decided to head to Pescadero. Even though the forecaster’s note said north is preferred, we thought Pescadero is north enough and we’ll see a good burn. All I got the last 2 or 3 trips to Pescadero were yellow skies. I hoped and wished for a colorful Sunset.

Now that we decided on going to Pescadero, the question was where specifically in Pescadero. We had multiple options – Piegon Point, Bean Hollow Beach, and Pescadero State Beach. Since all 3 locations were within 10 minutes of each other, we decided to start at Bean Hollow and decided where to go. Since we got skunked the last few times, both of us were skeptical as to whether or not it’ll be a good show.

I headed to my friends place as the plan was for me to park my car there and go with him to Pescadero. I got caught in some heavy traffic on Highway 17 but it was expected. I got to my friends place as planned and we hit the road right away. Since we had plenty of time for Sunset, we decided to check out Greyhound Rock Beach on the way.

The hike down to Grey Hound Beach wasn’t too bad. It took us about 10 minutes to get down to the beach. It was super windy. There was hardly anyone in the beach. We knew that the time was not right to get any good shots as the Sun was pretty harsh. But this was more of a scouting detour than anything else. With so much wind, it was hard to even keep our eyes open; sand was flying everywhere. We walked around a bit and experimented with a few shots. After about 20 minutes on the beach we decided to head back. Obviously, the hike up was a bit more difficult but it wasn’t bad at all.

From Grey Hound Rock Beach, we headed straight to Bean Hollow Beach. We pulled into a beach where we saw signs for Bean Hollow. But that turned out to be the first entrance. We wanted to go to the second one. After a few experimental shots, we drove to the 2nd location. The beach was filled with rocks. Not really big sea stacks but lot of rocks with interesting texture. Bean Hollow is a very unique beach; I can’t quite explain what I saw. Many of the rocks had holes in them and the holes were filled with pebbles.

With some difficulty, we got down to a place where we thought will be good to setup our tripods. It was high tide and the waves started getting bigger by the minute. We spent about 20 to 25 minutes there trying different shots. We started seeing colors pop in the sky. We had a feeling the clouds were going to light up. The question now was to decide whether to stay where we were or to head to Pigeon Point. Honestly, I didn’t like the comp at Bean Hollow. There’s so many rocks, it’s hard to isolate anything. If we spent enough time there, I am sure we would have come up with some good comp. But, both of us agreed that we should head to Pigeon Point Lighthouse.

The drive took less than 10 minutes. We first went to the location that we usually shoot from, which is about a mile or so south of the Lighthouse. When we got there, we realized that the Sun and all the colors that were happening would not be in our frame at all due to the angle. Here came another question. Should we stay and try our luck or head to the Lighthouse and shoot from there. We decided to head to the Lighthouse.

As soon as we parked the car, we took our gear and ran to one corner of the Lighthouse property where we thought would be a good spot to capture most of the burn. Oh yeah, the burn already started and it was simply superb. It was one of the best Sunsets that I’ve seen and definitely THE best Sunset from Pigeon Point. When we got to the spot, I saw a young guy with his parents. I assume he was one of the guys from my Escaype group but I didn’t want to start a conversation. I started firing away.

Moving a few feet, I realized that the Sun was going behind one of the hostel buildings and I decided to go for the starburst. Unfortunately, there was so much dust and moisture on my lens that I kept getting halos. I did get starburst but not a clean one. I decided to switch my lens and give it a shot but by that time, the Sun went behind the building.

I knew I can add the starburst in post processing. It may not look ‘real’ to some trained eyes but I decided to give it a shot. I went through my normal workflow in Lightroom and then took the photo to Photoshop to add the star as well as clean up the photo. I posted the photo in my Escaype group and got some good feedback, which I incorporated.

After posting the shot, I now realize that the star wasn’t needed after all. The photo by itself would have still been spectacular. Lesson learned! I probably won’t add starburst in post anymore.

Calero Sunset

Location: Highway 58, California
Time: Midday
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/11 | 2s | ISO 100

One of those days where inland was projected to have better potential with low skunk compared to the coast. The quintessential question was where inland should I go to catch the Sunset. For some reason, Calero County Park comes up as default selection when I open the Escaype App. I have been meaning to check out Calero County Park for a while but never got a chance.

Actually, I did drive up to Calero County Park in the wee hours of the morning several weeks back to catch the Sunrise but turned back after going to the park. It was pitch dark and I didn’t want to really wander in a place that I haven’t been to before; especially when it was pitch dark.

When Calero County Park came up with high potential, I decided to head out. The forecaster’s note did say that there won’t be a lot of different colors; the sky will be golden. I decided to check it out as I wanted to see what I can get a Calero County Park.

Sowmya was planning to go to one of our friend’s place for dinner so I dropped Sowmya off at our friends place and headed to Calero County Park. It took less than 20 minutes for me to get there. I put directions to Calero County Park on my phone and it took me to the County Park. What I realized was that the reservoir is several miles west of the park and has a different entrance. So, after few minutes of walking to see if I can get a good comp, I decided to get back on my car and head to the reservoir.

When I got to the reservoir, I went straight to the parking lot as the ranger station was closed. I then saw a Park Ranger so I asked her where the pay station was. She pointed me to the Pay Station but asked if just got here. When I told her that I just got here, she said not to worry about paying as it was pretty close to Sunset and the park will be closed about 10 minutes after Sunset.

I thanked her and headed to the lake bank. I saw lots of shells so I decided to go as low as I can and see if I can use that in my foreground. I soon realized that it did not work at all; very dirty and distracting. Sun was going behind the hills so I decided to get some starburst. It didn’t work out as well as I hoped; even after putting my ND Filter, it didn’t work out well. I then started walking up and down to see what comp I can get. I was also looking to see what comp I can create.

I saw this driftwood so I decided to position it in line with the setting Sun to form a leading line. I decided to go with Long Exposure to smooth out the water. I tried several frames with the driftwood. I then moved around a bit to get different shots. I kept walking along the lake ban to take different shots. I wasn’t really happy with any of the shots that I got but I was focused on enjoying the Sunset and make the best out of the situation to take a bunch of shots.

As it got darker, I heard the Park Ranger’s horn, which I assumed was warning for people still in the park to head out as they’d be closing the park. I took a few more shots and decided to call it a day. Moreover, there were so many bugs all around and I didn’t want to catch anything. My shoes got completely wet and muddy as well.

I went straight to my friends place for dinner. We spent several hours there and then went back home. I loaded my photos to my Hard Drive but didn’t import it to Lightroom as it was pretty late and I was tired.

The next day, I imported my photos to Lightroom and checked to see if there were any keepers. Unfortunately, I didn’t like any of the photos. So, I decided to move on to photos from other photo shoots. For several weeks, I didn’t even look at the Photos from Calero. I was caught up with most of my other photo shoots so I decided to go back to the Calero shoot to see if I can make someone of the 2 dozen or more photos I took.

I found one frame that I liked but didn’t like where the driftwood was placed. What I decided to was something I haven’t done before and honestly have shied away from. I did my normal workflow in Lightroom and then took the photo to Photoshop, where I moved the driftwood where I wanted. I also took a couple of driftwoods from one of my other frames and added it to this to make the comp a bit more interesting.

This level of manipulation is something I’ve never done nor even thought about. I did it for multiple reasons: 1) to see if I can actually do it in Photoshop and 2) to see if I can actually salvage a photo that was technically sound but wasn’t attractive.

I don’t think I’ll be doing this often but always good to have the skills in your arsenal.

Sierra Sunburst!

Location: Sierra Open Preserve, San Jose
Time: Sunset
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/16 | 1/60s | ISO 100

Another shot from my trip to Sierra Open Preserve in San Jose. When we got to Sierra Open Preserve, we decided to hike on the trail opposite to the parking lot. We hiked for about 45 minutes trying to find a good comp for Sunset. This was my first time here so it was more of a scouting exercise.

We did find a couple of lone trees as well as rolling green hills. However, we didn’t find a good comp for Sunset. So, we decided to head to the trail close to the parking lot, which also had views of the city below. On the way, I stopped at a few places to get some Starburst. Somehow, I have this obsession with Starburst. I have no idea why. Maybe it’s a phase but who knows.

Anyways, Sun was going down pretty fast and I had to run to the other side of the parking lot to get to this trail. By the time I got there, Sun already started setting behind the hills. I setup my tripod and decided to shoot. I looked around for a good foreground but I didn’t find anything that I could get to. There were a couple of options but those would have taken me more than 5 minutes to get to. By the time I got there, Sun would have already set behind the hills.

So, I decided to shoot wide and at f/16 so I can get a starburst. Colors were starting to show up as well. I kept shooting until the Sun went behind the hills. Looking at the camera LCD, I knew I had a couple of shots that had potential. This is the one that I liked the most.

After I posted the shot, one of my Photography friend pings me and tell me that the shot he took standing right next to me had identical settings but the way I processed was different. Looking at his shot, I do see the difference in the way I have processed mine. I wouldn’t say one is better compared to the other though. It’s personal preference in terms of what colors, texture, and contrast you want to bring out. To me, post processing is where Photographers can really show the world how they saw the scene. Even though multiple people may shoot from the same location, the end result can be completely different after post processing, which is a great thing.

Golden Streaks!

Location: Battery Spencer, San Francisco
Time: Sunrise
EXIF: Canon EOS 7D | EF 16-35mm f/2.8L II USM | 16mm | f/16 | 10s | ISO 100

Another one of Escaype’s predictions that didn’t quite hold. This is the second time I am getting skunked in San Francisco. The first time was when we went to Fort Point & Fort Baker. We had some colors that day but not so much this time around.

So, Escaype came up with very high numbers for San Francisco; especially looking East. After debating whether or not to go and where to go, we decided to head to Battery Spencer. I have been to Battery Spencer once but Mr. Karl showed up. We woke up at the wee hours of the morning to head to SF but fog completely covered the Golden Gate Bride. We then decided to head to Mt. Tam to shoot the fog. It worked out well as we got some good shots of the fog from Mt. Tam and while coming back, fog cleared enough for us to get some good shots from Hawk Hill.

When the opportunity to go back to Battery Spencer presented itself, I wanted to take advantage. I woke up early in the morning and headed to pick one of my photography buddies from his office. We then drove to Battery Spencer together. When we got there, we realized that the parking lots were closed. Not just the one close to Battery Spencer but pretty much everywhere in that hill. We even went all the way up to Hawk Hill. Our only option was to park at the lot below and hike up. Not something we planned or were looking forward to but you gotta do what you gotta do to get the ‘money’s shot 🙂

We parked at the lot below and there was a trail going up but it didn’t say Battery Spencer. Even though we had a feeling that it will end up at Battery Spencer, we didn’t want to take a chance. So, we walked around on the road to Battery Spencer. On the way up, we did see the trail coming up.

When we got to Battery Spencer, it was the end of Blue Hour. We started shooting and it started drizzling. We had very little hope of seeing any color. We got confirmation from Escaype that it might not happen after all. We still waited for 30 minutes or so and continued shooting in the rain. Absolutely no action. It was grey, grey, and more grey. On one hand, it allowed me to try my new 16-35 f/2.8 lens but on the other hand, I was worried about using my new lens in the rain.

There was enough rain to cause some of the photos to be unusable. After spending about 30 minutes trying to shoot from different spots, we decided that it was time to head back. We hiked back through the trail, which was definitely shorter than the path we took up. We were both disappointed but there isn’t a whole lot you can do. Predictions were high but it didn’t hold. Hopefully, there isn’t too many of these with Escaype. It kinda defeats the purpose of getting Escaype. But, there is only so much a weather forecasting model can do.

When I got back home, as expected, several of the photos were unusable due to rain spots. Many of the spots were right on the Golden Gate Bridge and cleaning it in PS would have taken a long time. So, I found about half a dozen shots that were ‘clean’. I tried my best to bring some color but there wasn’t a whole lot I could do. I liked this shot where the car streaks covered the length of the Golden Gate Bridge. Wish I had a vibrant sky in the background to go with this but it is what it is.

 

Sunrise Serenity!

Location: Lake Cunningham, San Jose
Time: Sunrise
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/16 | 1/2s | ISO 100

One of those situations where Escaype predicted high numbers for inland areas. Whenever this happens, I scramble to figure out where to go. There are only few inland options that I have found so far. I definitely need to explore a bit more and find a few options in the San Jose, Morgan Hill, and Gilroy areas. As usual, I was debating whether to go and more importantly, where to go.

After a bit of back & forth, I decided to head to Lake Cunningham as it was within the area of focus provided by Escaype. I thought even if the sky doesn’t light up, I can get a shot that I messed up last time. Basically, there was a reflection of a boat that took but didn’t realize while shooting that I didn’t frame the entire reflection.

When I got there, it was still a bit dark and I was the only person in the park; at least as far as I could tell. I started exploring to see if there’s any unique comps that I can achieve. I tried getting to the pier to get the reflection but the area was close off. I really didn’t feel like jumping the barricade.

While I was walking around, I suddenly see colors popping up. I ran to this location where I knew I could get some reflection. Most of the colors were happening to the right of this frame. Unfortunately, that’s where the parking lot is. I didn’t want to shoot the parking lot.

I tried to include as much color as I could without including any distracting elements. I have shot from this very location before so I tried to create a slightly different comp. I could see pink colors everywhere. It was a very serene and calm scene. I still was the only person in the park. I enjoyed this Sunrise quite a bit. The sky didn’t burn but the subtle colors were superb.

 

Pride of Madiera!

Location: Bixby Bridge, CA
Time: Sunrise
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/13 | 1/40s | ISO 400

A plan started brewing Saturday evening to head to Treasure Island for some blue hour photography. Basically, shoot the SF Skyline & Bay Bridge from different locations in Treasure Island during blue hour. The thought was to not worry about whether Sunrise is going to bring good colors or not and just shoot during Blue Hour. I went to bed setting my alarm for early AM to head out to Treasure Island.

When I woke up, I saw that the prediction for Monterey was very good. Golden Hour in Monterey and south was predicted to be have excellent colors. So, I told the guys that Treasure Island may not be a good idea and we should go to Monterey instead. One of my friends was picking me up and he didn’t respond for a while. I really wanted to go to Monterey as the chances of a good Sunrise was high.

Everyone agreed that we’d head to Monterey, specifically, Bixby Bridge. One of my friends picked me up and we went to another spot to pickup another friend of ours. He got delayed and that put us behind schedule by about 15 to 20 minutes. We then drove to Scotts Valley to pickup another friend of ours. With a packed car, we headed to Bixby Bridge.

When we got there, it was still blue hour. It was extremely cold and windy. The recommendation from Escaype was to face South, which is the direction we would face when shooting Bixby Bridge anyway. We waited in the car for a few minutes as it was too cold outside. After a few minutes of waiting, we decided to go out and start shooting.

It was still blue hour so we were trying to find the right composition. Time went by and we didn’t see any colors. It completely skunked. I was so disappointed. This was a long drive and to not see any colors was truly disappointing. We walked up and down PCH 1 to get a good comp. I got a couple of good shots even though there were no colors in the sky.

We were about to leave and one of the guys found this beautiful flower and said it would make a good foreground. These flowers are referred to as the Pride of Madeira. They were positioned in an awkward angle, which made it extremely difficult to shoot. We had to walk down the hill and stand in a very small space to get the shot.

When I went there, I tried a few shots. I first tried putting the flowers in the left; then in the center; and then I tried putting the flowers in the right of the frame. From a comp stand-point, I liked this the most. I actually sat down on a branch to get this shot. Having my ultra-wide angle lens definitely helped.

As I said, the sky did not have any colors. Actually, it did have some colors but definitely nothing compared to what was predicted. I had to bring colors in post processing, which wasn’t really difficult to do but would have loved to see more colors. I shot this hand-held so I bumped the ISO to get a sharp photo. I like how the photo turned out but wish I had done a couple of things differently. I should have move a little bit to the left to see if I could get all the flowers. As you can see, some of the flowers are hidden. Not sure if this is possible but I could have tried. Another thing is to leave a bit of room on the right so the rock is not on the extreme right.

 

Week 14 – At least 2 Comp Techniques

The Challenge for Week 14 of my 52 Week Landscape Photography Composition Challenge is to use at least 2 comp techniques. One of the primary reasons I embarked on this 52 Week Photo Challenge is to add Compositional Techniques to my shooting arsenal. Pun, of course, intended 🙂

My Landscape Photography has significantly increased over the course of last year and a half. However. many of my photos use the same set of Compositional Techniques – the rule of third, leading line, and in some cases framing. I try to use balance & symmetry where I can but most (if not all) my photos will use the rule of thirds in one way or the other. I try to have a good Foreground, Middle-ground, and Background on all my Landscape Photos but it doesn’t work out all the time.

I try to use what I am comfortable with, in terms of comp techniques. My goal with this 52 week challenge is to make sure I learn many more comp techniques so they become second nature and I have a wide array of techniques I can use in my photos.

For this week’s Challenge, I took this Sunset scene at Alviso Marina. I saw how the Sun Rays formed a leading line. I saw a driftwood lying on the shore and I lined it up with the Sun ray to extend the leading line. That’s the first comp technique used here. The second is Rule of Thirds; actually, that is used in multiple ways – 1) horizon is on the third 2) Sun is on one of the points 3) Leading lines are on one of the vertical lines as well.

The Sun may actually be in the ‘golden’ spot. which would satisfy the golden ratio comp technique as well. But I don’t know enough about that technique to say for sure. Still ways to go before I get to Golden Rule.