Twinkling Reflection!

Location: Treasure Island, CA
Time: Twilight
EXIF: Canon EOS 7D | EF 28-135mm f/3.5-5.6 IS USM | 28mm | f/16 | 79s | ISO 100

Last year when we went to Treasure Island, we basically stood in the parking lot for a couple of hours to shoot the SF Skyline. Even though one of our friends gave specific details for 4 or 5 other locations, we really didn’t experiment. One of the guys had to go back to work so we weren’t planning on trying to find different locations. Moreover, we have heard stories after stories about Photographers getting robbed at Treasure Island. So, we definitely didn’t want to go to places that required a lot of walking or to any sketchy looking spots.

After we came back from that trip, the friend that didn’t make it asked why we didn’t shoot the Bay Bridge reflection. We didn’t know where that location was. Apparently, that location was right across the street from the parking lot 🙂

We decided that we needed to make a trip back to Treasure Island and hit as many spots as we can. We’ve been planning for a while but things didn’t quite line up. Since this was primarily SF Skyline and Bay Bridge, we really didn’t worry about waiting for the perfect weather conditions. We decided to go before Sunrise and shoot during Twilight and Blue Hour. We were hoping that we wouldn’t get mugged during the wee hours of the morning 🙂

So, around 3:15, one of my friend picked me up and we went to another friend’s office so we can all carpool from one location. We got there around 4:15 when it was still pitch black. The first spot we stopped this time was to shoot the Bay Bridge reflection. It was literally right across the street from the parking lot.

I took maybe 3 or 4 shots from this location. I really wish we stayed in this location and not worry about other locations. But, that’s not what we went there for. The goal was to hit as many spots as we could so we can scout what would work in what situations. The first couple of shots, I tried to shoot in Aperture Priority but that required me to stay around f/11 where I couldn’t be able to get crisp starburst. I am a sucker for starburst so I plugged my remote trigger and went to f/16 so I can get starburst.
In terms of post processing, it was pretty straight forward. Other than my normal workflow in Lightroom, all I did in Photoshop was to remove some distracting elements in the foreground.
Hindsight is 20/20! We should have stayed to shoot the reflection in blue hour as well as Sunrise. The other locations didn’t work as well as we hoped.

San Fran Silhouette

Location: Treasure Island, CA
Time: Sunset
EXIF: Canon EOS 7D | Sigma 17-50mm f/2.8 | 20mm | f/16 | 2s | ISO 100

A few of us decided to head to Treasure Island to shoot the SF Skyline. I have never been there before and I was looking forward to the trip. Getting anywhere in the Bay Area during peak hours is a challenge due to traffic congestion. Going to SF or through SF is even more challenging as there’s heavy traffic. It took us a while to get to Treasure Island but we got there well ahead of Sunset.

One of our friends who couldn’t make the trip with us gave us several locations to checkout. The first location was on lot of the hill overlooking the Bay Bridge and SF Skyline. We drove to the location and realized the road leading to the spot was closed. So, we came down to the parking lot where there’s clear view of the Bay Bridge and SF Skyline. We had to wait for about 10-15 minutes for parking but we got lucky. I thought no one would leave right at Sunset but someone actually did.

We decided to basically shoot from the parking lot as the view was spectacular. We decided to go to other locations after we were done getting our shots from the parking lot. Sunset was happening as we pulled into the parking lot so we started shooting right away. I started shooting hand-held but the shutter speed was going down rapidly as light was fading.

I setup my tripod and decided to do a long exposure to smooth the water out. I didn’t go for an ultra long exposure; just enough to smooth the water. There were some clouds but not to cover the entire frame. I initially took shots of the Golden Gate Bridge with the setting Sun but it didn’t work out as well as I hoped. Golden Gate Bridge was too far away.

So, what I decided to do was to just focus on the SF Skyline ignoring both the Golden Gate Bridge as well as the Bay Bridge. I did get some shots with the Bay Bridge and SF Skyline but that comp was a bit challenging as there were lot of distracting elements to the left of the Bay Bridge.

Since Sun was already behind the horizon, SF Skyline was silhouetted, which looked attractive to me. I was hoping to see and include a boat in my frame but nothing sailed by.

We stayed for about an hour (well past blue hour) to get the SF Skyline all lit up. After we were done at the Parking Lot, we tried to head to other locations but all that needed us to walk about 15-20 minutes and the areas was very shady so we skipped. One location was on the other side of the parking lot but we didn’t know 😦

From a processing stand-point, it was pretty straight-forward. Apart from my usual workflow in Lightroom, all I did was dodge & burn (primarily burn) a bit.

Blazing Glow!

Location: Almaden Lake Park, San Jose
Time: Sunset
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/8 | 1s | ISO 100

Almaden Lake Park is my go-to location for Sunset if there’s no other plan. As a matter of fact, one of the first locations that I went to when I wanted to get serious about Landscape Photography was Almaden Lake Park. Another one of those locations that’s minutes away from home but didn’t even know about.

Even when I used to do a lot of bird photography, Almaden Lake Park never came up in my research. I primarily went to Palo Alto Baylands, Charlston Slough, Lake Elizabeth, among other places. When I went to Almaden Lake Park, there were so many birds – Night Heron, Blue Heron, Great Egret, Snowy Egret, etc. Why I didn’t know about this lake, I’ll never know.

Anyways, this was one of those days where inland areas had decent prediction. My first thought was to head to Santa Teresa Park and hike up the hill to the lone tree I have shot before or find another lone tree. Sowmya didn’t like that idea as there were reports of rattle snake in the park and she didn’t want me to go off-trail. We heard in the news that a guy got bit by rattlesnake at Fremont Peak; luckily, medics came in few minutes and saved his life.

So, Santa Teresa Park was out of question. I went to Hellyer Park a few weeks back and due to the amount of water, I wasn’t able to get a good comp. We decided to go to our ‘go-to’ place, Almaden Lake Park. As I mentioned, it’s a place I’ve been to plenty of times and have shot both Sunrise and Sunset. There’s always something new at Almaden Lake Park. As a matter of fact, that’s how I feel about any location. I don’t understand when some of my non-Photography friends ask me why I go to take photos of Sunrise or Sunset as they say – ‘it’s the same Sunrise’ or ‘haven’t you been there before?’.

To me, Photography gives me the opportunity and pleasure to visit so many places and experience so many things. While I enjoy capturing moments through my viewfinder, I have learned to take some time to enjoy the scene that unfolds in front of me. So, even though I’ve been to Almaden Lake so many times, I will always go whenever I get an opportunity. Even if I don’t take any photos, I’ll happily enjoy the Sunset with Sowmya. We’ve been to the park so many times just to take a walk and enjoy the nature.

When I got to the Lake, I knew the location I wanted to go to and the type of shot I wanted to try. I have seen a lot of driftwood in one location so I wanted to see if I can use that as part of my comp. There lot of bugs everywhere so I was a bit hesitant to go to the lake shore but I decided to go ahead anyway. Sowmya was sitting on one of the park benches and started talking to her mom & sis.

I found the comp (or I should say, I created) that I liked. I sat down on the floor and setup my tripod. I started firing away. I put a ND Filter and tried some Long Exposure shots. In terms of colors, there definitely were colors but I wouldn’t say it was a spectacular burn. It was beautiful, nevertheless.

In terms of processing, I just followed my normal workflow in Lightroom and cleaned up some unwanted items in Photoshop.

Brilliancy of Colors

Location: Pigeon Point Lighthouse, Pescadero
Time: Sunset
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/8 | 1/3s | ISO 100

Another shot from my recent trip to Pigeon Point Lighthouse. After I took several shots from the corner to as much of the burn as possible, I decided to move around to try different compositions.

One of the spots that I stopped was where I could use the picket fence as leading line. I have tried this before but not with too much luck as weather didn’t cooperate. This time around, I knew that the weather cooperated; sky was literally on fire. The question was whether I’d be able to include the colorful sky in my comp. One of the challenges when I go to a location is to find interesting comp. Not a unique comp per se but something interesting that I can try. I am going through a 52-week Photography Composition Challenge and my primary goal is to learn different compositional techniques.

There’s  lot of discussion about how you differentiate your photos from others. Everyone wants to get something new; something unique. I guess the feeling is natural. Everyone wants to be different. No one wants to comp-stomp. As far as I am concerned, I am still at a stage where I am learning Photography and one of the best ways for me to learn is to look at photos from other Photographers and try to emulate it. I don’t mean to say that I’ll copy other’s photos but take inspiration from their work. What I’d like to consider as paying homage. To me, there’s nothing wrong with taking someone else’s comp as there’s only so much you can do in a particular location.

To me, one of the best ways to differentiate your works is through post processing. Think about it. When you visit Yosemite National Park and go to the world famous Tunnel View, especially during Golden Hour, you’ll see anywhere 10 to 100 Photographers. Or, think about the Firefall spectacle. You’ll find hundreds of Photographers in one location. How much variation can you really achieve in your comp? However, how you process your photos can produce a completely different result compared to the Photographer who stood right next to you.

Anyways, getting off the soapbox and on to this photo. The sky was still burning and I went to this spot where I thought I’d use the picket fence as leading line and put the Lighthouse on the third. I was able to include the burning sky in my frame. I bracketed 3 shots so I merged the photos in Lightroom and followed my usual workflow.

Burst of Radiance!

Location: Carrizo Plains National Monument, California
Time: Midday
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/16 | 1/15s | ISO 100

One of those days where Escaype predicted high potential/zero skunk for northern areas with no fog. So, it wasn’t a question of whether I was going out but as usual, the question was where. One of my buddies pinged me and we started the back & forth. We have done this several times before. We keep debating about which location to go until the very last minute. Going forward, we should just pick one and go. It’s not like we only get one shot at this; if not today, we can go another day.

So, the debate was between SF and Pescadero. The last few times we went to both locations when predications were high, we got skunked. After a lot of back & forth, we decided to head to Pescadero. Even though the forecaster’s note said north is preferred, we thought Pescadero is north enough and we’ll see a good burn. All I got the last 2 or 3 trips to Pescadero were yellow skies. I hoped and wished for a colorful Sunset.

Now that we decided on going to Pescadero, the question was where specifically in Pescadero. We had multiple options – Piegon Point, Bean Hollow Beach, and Pescadero State Beach. Since all 3 locations were within 10 minutes of each other, we decided to start at Bean Hollow and decided where to go. Since we got skunked the last few times, both of us were skeptical as to whether or not it’ll be a good show.

I headed to my friends place as the plan was for me to park my car there and go with him to Pescadero. I got caught in some heavy traffic on Highway 17 but it was expected. I got to my friends place as planned and we hit the road right away. Since we had plenty of time for Sunset, we decided to check out Greyhound Rock Beach on the way.

The hike down to Grey Hound Beach wasn’t too bad. It took us about 10 minutes to get down to the beach. It was super windy. There was hardly anyone in the beach. We knew that the time was not right to get any good shots as the Sun was pretty harsh. But this was more of a scouting detour than anything else. With so much wind, it was hard to even keep our eyes open; sand was flying everywhere. We walked around a bit and experimented with a few shots. After about 20 minutes on the beach we decided to head back. Obviously, the hike up was a bit more difficult but it wasn’t bad at all.

From Grey Hound Rock Beach, we headed straight to Bean Hollow Beach. We pulled into a beach where we saw signs for Bean Hollow. But that turned out to be the first entrance. We wanted to go to the second one. After a few experimental shots, we drove to the 2nd location. The beach was filled with rocks. Not really big sea stacks but lot of rocks with interesting texture. Bean Hollow is a very unique beach; I can’t quite explain what I saw. Many of the rocks had holes in them and the holes were filled with pebbles.

With some difficulty, we got down to a place where we thought will be good to setup our tripods. It was high tide and the waves started getting bigger by the minute. We spent about 20 to 25 minutes there trying different shots. We started seeing colors pop in the sky. We had a feeling the clouds were going to light up. The question now was to decide whether to stay where we were or to head to Pigeon Point. Honestly, I didn’t like the comp at Bean Hollow. There’s so many rocks, it’s hard to isolate anything. If we spent enough time there, I am sure we would have come up with some good comp. But, both of us agreed that we should head to Pigeon Point Lighthouse.

The drive took less than 10 minutes. We first went to the location that we usually shoot from, which is about a mile or so south of the Lighthouse. When we got there, we realized that the Sun and all the colors that were happening would not be in our frame at all due to the angle. Here came another question. Should we stay and try our luck or head to the Lighthouse and shoot from there. We decided to head to the Lighthouse.

As soon as we parked the car, we took our gear and ran to one corner of the Lighthouse property where we thought would be a good spot to capture most of the burn. Oh yeah, the burn already started and it was simply superb. It was one of the best Sunsets that I’ve seen and definitely THE best Sunset from Pigeon Point. When we got to the spot, I saw a young guy with his parents. I assume he was one of the guys from my Escaype group but I didn’t want to start a conversation. I started firing away.

Moving a few feet, I realized that the Sun was going behind one of the hostel buildings and I decided to go for the starburst. Unfortunately, there was so much dust and moisture on my lens that I kept getting halos. I did get starburst but not a clean one. I decided to switch my lens and give it a shot but by that time, the Sun went behind the building.

I knew I can add the starburst in post processing. It may not look ‘real’ to some trained eyes but I decided to give it a shot. I went through my normal workflow in Lightroom and then took the photo to Photoshop to add the star as well as clean up the photo. I posted the photo in my Escaype group and got some good feedback, which I incorporated.

After posting the shot, I now realize that the star wasn’t needed after all. The photo by itself would have still been spectacular. Lesson learned! I probably won’t add starburst in post anymore.

Week 18 – Urbanscape

The Challenge for Week 18 of my 52 Week Landscape Composition Photo Challenge is Urbanscape/Cityscape. Over the course of last year, I have done some cityscapes. I definitely enjoy shooting cityscapes. Somehow the city lights portrays the hustle and bustle of the city life. Even though I have tired shooting SF Cityscape a couple of times, I’d say I have not been very successful. I did get one shot during a sunrise visit to Embarcedero but my trip to Treasure Island wasn’t very successful.

When I thought about this challenge, the first thought that came to mind was to head to SF to shoot the beautiful skyline. Another thought was to shoot the Boston Skyline.  The challenge was Urbanscape so I decided to do a bit of research on what is a definition of an Urbanscape. What I have realized is that Urbanscape; at least Urbansacpe Photography is a bit difficult to define as it sits between a number of different genres of photography – cityscapes, architecture, street photography, etc.

So, I was looking for a creative way to take on this week’s challenge. When I wen to Sierra Open Preserve in San Jose, I knew that the city lights will come on right after golden hour. I knew I wanted to take a shot of the hustle & bustle of Silicon Valley from the top of the hill. Although, I didn’t know what my comp would be.

For the majority of the time while at Sierra Open Preserve, my goal was to find a good comp for Sunset. After the Sun set behind the horizon, I started looking for comp ideas for the Urbanscape challenge.

I saw this scene where the sky was burning on one side and beautiful colors were happening on the others. The foregound was beautiful greenery and middle-ground was the Silicon Valley citylights. Not a ‘textbook’ definition of Urbanscape but to me, this definitely fits the bill. The busyness of the city can be seen from the hill top, where it was so peaceful and serene. It not only shows the city life but also that calm and serenity is just minutes away. I liked the yin/yang relationship here.

 

Calero Sunset

Location: Highway 58, California
Time: Midday
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 10mm | f/11 | 2s | ISO 100

One of those days where inland was projected to have better potential with low skunk compared to the coast. The quintessential question was where inland should I go to catch the Sunset. For some reason, Calero County Park comes up as default selection when I open the Escaype App. I have been meaning to check out Calero County Park for a while but never got a chance.

Actually, I did drive up to Calero County Park in the wee hours of the morning several weeks back to catch the Sunrise but turned back after going to the park. It was pitch dark and I didn’t want to really wander in a place that I haven’t been to before; especially when it was pitch dark.

When Calero County Park came up with high potential, I decided to head out. The forecaster’s note did say that there won’t be a lot of different colors; the sky will be golden. I decided to check it out as I wanted to see what I can get a Calero County Park.

Sowmya was planning to go to one of our friend’s place for dinner so I dropped Sowmya off at our friends place and headed to Calero County Park. It took less than 20 minutes for me to get there. I put directions to Calero County Park on my phone and it took me to the County Park. What I realized was that the reservoir is several miles west of the park and has a different entrance. So, after few minutes of walking to see if I can get a good comp, I decided to get back on my car and head to the reservoir.

When I got to the reservoir, I went straight to the parking lot as the ranger station was closed. I then saw a Park Ranger so I asked her where the pay station was. She pointed me to the Pay Station but asked if just got here. When I told her that I just got here, she said not to worry about paying as it was pretty close to Sunset and the park will be closed about 10 minutes after Sunset.

I thanked her and headed to the lake bank. I saw lots of shells so I decided to go as low as I can and see if I can use that in my foreground. I soon realized that it did not work at all; very dirty and distracting. Sun was going behind the hills so I decided to get some starburst. It didn’t work out as well as I hoped; even after putting my ND Filter, it didn’t work out well. I then started walking up and down to see what comp I can get. I was also looking to see what comp I can create.

I saw this driftwood so I decided to position it in line with the setting Sun to form a leading line. I decided to go with Long Exposure to smooth out the water. I tried several frames with the driftwood. I then moved around a bit to get different shots. I kept walking along the lake ban to take different shots. I wasn’t really happy with any of the shots that I got but I was focused on enjoying the Sunset and make the best out of the situation to take a bunch of shots.

As it got darker, I heard the Park Ranger’s horn, which I assumed was warning for people still in the park to head out as they’d be closing the park. I took a few more shots and decided to call it a day. Moreover, there were so many bugs all around and I didn’t want to catch anything. My shoes got completely wet and muddy as well.

I went straight to my friends place for dinner. We spent several hours there and then went back home. I loaded my photos to my Hard Drive but didn’t import it to Lightroom as it was pretty late and I was tired.

The next day, I imported my photos to Lightroom and checked to see if there were any keepers. Unfortunately, I didn’t like any of the photos. So, I decided to move on to photos from other photo shoots. For several weeks, I didn’t even look at the Photos from Calero. I was caught up with most of my other photo shoots so I decided to go back to the Calero shoot to see if I can make someone of the 2 dozen or more photos I took.

I found one frame that I liked but didn’t like where the driftwood was placed. What I decided to was something I haven’t done before and honestly have shied away from. I did my normal workflow in Lightroom and then took the photo to Photoshop, where I moved the driftwood where I wanted. I also took a couple of driftwoods from one of my other frames and added it to this to make the comp a bit more interesting.

This level of manipulation is something I’ve never done nor even thought about. I did it for multiple reasons: 1) to see if I can actually do it in Photoshop and 2) to see if I can actually salvage a photo that was technically sound but wasn’t attractive.

I don’t think I’ll be doing this often but always good to have the skills in your arsenal.

Mirror Mirror!

Location: Carrizo Plains National Monument, California
Time: Midday
EXIF: Canon EOS 7D | EF-S 10-18mm f/4.5-5.6 IS STM | 16mm | f/8 | 1/2000s | ISO 100

After we stopped at a few places on Highway 58, we decided to head to the meeting spot within Carrizo Plains National Monument to meet up with the group. The meeting organizer was already there. We were one of the first people to arrive. There were more than 2 dozen people that signed up for the event. It took a while for everyone to show up. The more time it took, the more irritated the organizer got 🙂

Once everyone showed up, the organizer told us the general direction we’ll be going and took off. We had to scramble to keep up with him. He’s the first car leading about 7 other cars, going pretty fast. With so much dirt from his car, it was very difficult to follow him. But everyone tried their best to keep up. Unlike the fall colors meetup in the Eastern Sierras, no one got lost 🙂

One of the first spots we stopped was this place with yellow flowers everywhere. On the other side of the field of flowers was this beautiful lake. As soon as I saw the lake, I wanted to go there to shoot the reflection. I knew I had a Symmetry Challenge to complete and I love reflections.

When I got to the lake, I saw perfect reflection of the painted hills. I also saw some tumble weed in the foreground that reflected well. I wanted to get closer to the water so I can avoid the lake bank, which had lot of distractions. When I took a couple of steps, I realized that the floor was not quite solid. My shoes started sinking. I thought I can be quick and take a few shots. But, within a matter of seconds, my shoe got completely wet.

I decided to walk to the far end of the lake to see if I could get the entire lake and maximize the reflection. After about 10-15 minutes of walking (and stopping along the way to take photos), I noticed that there was lot of wind on the far end of the lake causing the reflection to be fuzzy.

I walked almost all the way back to where I started and took this shot. It’s actually a 3 shot HDR blend. There was some foreground that cropped out of the frame.

Everything Ahead of Me!

Location: Highway 58, California
Time: Midday
EXIF: Canon EOS 7D | EF 28-135mm f/3.5-5.6 IS USM | 38mm | f/8 | 1/1000s | ISO 100

We have been planning to head to Carrizo Plains National Monument to shoot the Wildflowers. Unfortunately, timing didn’t work for several weeks. We finally decided to head out one Saturday and realized that there was a meetup happening at Carrizo at the same time. The meetup organizer is someone that we all respect and enjoy shooting with so we decided to join his meetup.

I was traveling this week and was out of pocket for a good portion of the week. Four of us decided to carpool together. We decided to rent a car so we don’t take our personal car on the dirt roads. Knowing the meetup organizer, we knew for sure that he’d take us on roads that are not easy to drive 🙂

We hit the road from my place pretty early in the morning. Our first stop was at a Starbucks in Gilroy as the guys wanted to get some breakfast. On the way, we saw signs for Mission San Miguel. We decided to check it out. We spent about 45 minutes there trying to shoot whatever we could.

From there, our next stop was in the town of Paso Robles to grab some lunch at a Mexican restaurant. The burrito I got was humongous, which somehow I managed to finish. What we noticed in the restaurant was that every time someone requests for guacamole, the entire staff will yell out ‘guacamole’ in an accent. It was funny for the first few times but it got annoying really fast. I can’t believe they do this all day every time someone orders guacamole.

After lunch, we hit the road again to get to Carrizo. We still had an hour or so left before we’d see the Wildflowers. On the way, we stopped at a couple of places to see if we can get some shots. I didn’t even bother taking my camera out as I didn’t like what I saw. The guys were playing with some Macro shots.

One of the first real stops we made to shoot the Wildflowers was still several miles away from Carrizo Plains National Monument. We saw some shots online of this wide sweeping landscape with hills covered in wildflowers and a long, straight road leading to the hills. We knew the shots were taken from Highway 58. So, we were on the lookout for a good spot pull over when we got onto Highway 58.

I have been looking to shoot in a road like this for a very long time. The moment I saw this long, straight, up/down road leading to the painted hills, we decided to pull over. I went to the middle of the road when one of the guys watched for approaching cars 🙂

I kept firing away bracketing my shots so I can get the best dynamic range. This particular shot was taken from the middle of Highway 58 on the way to Carrizo Plians National Monument to view the spectacular Wildflower Super Bloom. A quote from Jack Kerouac’s book On the Road came to mind when I was standing there and looking at the Painted hills – “Nothing behind me, everything ahead of me, as is ever so on the road.”

Firefall!

Location: Yosemite Valley, Yosemite National Park
Time: Sunset
EXIF: Canon EOS 7D | EF 28-135mm f/3.5-5.6 IS USM | 56mm | f/8 | 1/8s | ISO 100

Another one from the Firefall series. I can’t believe how lucky I was to see this natural event. So many years in California and I didn’t even know about this until I got into Photography. Well, better late than never 🙂

I can’t imagine how Galen Rowell must have felt when taking the first-known photograph of the natural Yosemite Firefall. I am sure several others saw the phenomenon before Galen Rowell, he just was the first to Photograph. Such a beautiful thing to witness.

So many things have to line up and work harmoniously for the event to happen. To start with, the Horsetail Fall must be flowing. Obviously! But, think about it. If there’s not enough snow in early February, the Horsetail Fall will not be flowing. Assuming there is decent flow in the Fall, then weather conditions need to be near perfect. The Western Sky must be clear during Sunset. If there are any clouds, they’ll prevent Sun’s rays from hitting the Horsetail Falls and it will not light up. If the Fall is flowing and if weather conditions are good, then the Fall will light up for about 10 minutes and that too only during a 2 week period in February.

But to witness it, you have to be in the right place at the right time. The Horsetail Falls is visible from multiple locations in Yosemite. You have to be in the right angle to see the event in action. Now you can see why you should consider yourself lucky to witness this event. I sure was!

After debating whether or not to stick around and gamble to witness this event, we finally decided to stay. Then came the question of where to shoot it from. After walking for a bit, we decided to stick to our original spot. Until the very last minute, we didn’t know if it was going to light up. It suddenly did and it was simply superb.

I manually focused on the waterfall, went with what is considered to be the sharpest aperture for this lens (f/8) and kept firing away. I changed the focal length and orientation once in a while to switch things up.

From a processing stand-point, apart from my regular processing, I did some dodging and burning to highlight the lava-like waterfall. I like how it turned out.