The Challenge for this week was to zoom-in on the primary subject and eliminate everything else. When you think about Landscape photography, what immediately comes to mind is the wide sweeping landscape. One of the first things you need as a Landscape Photographer is a wide angle lens; the wider the better.
Most of my Landscape photos are wide sweeping scenes. I have noticed that going wide (or ultra-wide) sometimes distracts the viewer. I remember shooting Sunset from Asilomar Beach and I love the scene that was unfolding in front of me. It was a gorgeous Sunset and there were lot of rocks in the foreground. I took a lot of shots and felt I had some keepers. When I reviewed the photos to pick the ones I wanted to post process, I didn’t really like a lot of photos from this series. Why? The scene ended up being too confusing; too distracting. Way too many rocks in the foreground; no clear focus point; no leading line; no symmetry; no balance.
Got me thinking that no matter how beautiful a scene may me, it is up to the Photographer to focus on the right things and tell a compelling story. That’s where the different compositional techniques come in. With a wide landscape, you have to pay careful attention to where you place different elements of the scene.
One of the compositional techniques used masterfully by some of the world’s best Landscape Photographers is to zoom-in. The goal is to put the primary subject the sole focus of the image and eliminate everything else from the frame. Ansel Adams did this very well. His shot titled “Moon and Half Dome” is a great example.
When I was in Yosemite recently, I decided to try the zoom-in technique. I was shooting a reflection of Half Dome with my wide-angle lens – the 10-18mm. I loved how those shots turned out. I wrote about one of those shots – Snowy Reflections! I didn’t have my camera bag with me so didn’t have the option to go beyond 18mm. When my friend walked in with his camera bag, I borrowed his 24-105mm lens. This lens is considered a good walk around lens as it covers a wide range.
On my 7D, which has a 1.6x crop factor, this lens essentially becomes 38-168mm. I zoomed in to get close up shot of Half Dome. I tried a couple of different frames and liked this particular frame. I convered to B&W as the contrast between snow and dark shadows of the Half Dome came out clearly.